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Mantra Tantra Yantra Pdf 27: How to Use Sanskrit-Hindi Mantras and Yantras for Decoration



Tantra is a range of esoteric traditions which had begun to arise in India by the 5th century CE.[204][note 19] Its use suggests that the word tantra in the Rigveda means "technique". George Samuel wrote that tantra is a contested term, but may be considered a school whose practices appeared in nearly-complete form in Buddhist and Hindu texts by about the 10th century CE.[206] Tantric yoga developed complex visualizations, which included meditation on the body as a microcosm of the cosmos. It included mantras, breath control, and body manipulation (including its nadis and chakras. Teachings about chakras and Kundalini became central to later forms of Indian yoga.[207]


The word appears in the hymns of the Rigveda such as in 10.71, with the meaning of "warp (weaving)".[17][23] It is found in many other Vedic era texts, such as in section 10.7.42 of the Atharvaveda and many Brahmanas.[17][24] In these and post-Vedic texts, the contextual meaning of Tantra is that which is "principal or essential part, main point, model, framework, feature".[17] In the Smritis and epics of Hinduism (and Jainism), the term means "doctrine, rule, theory, method, technique or chapter" and the word appears both as a separate word and as a common suffix, such as atma-tantra meaning "doctrine or theory of Atman (Self)".[17][24]




Mantra Tantra Yantra Pdf 27 framework decoration




Because it elaborates (tan) copious and profound matters, especially relating to the principles of reality (tattva) and sacred mantras, and because it provides liberation (tra), it is called a tantra.[35]


Tantric practices also included secret initiation ceremonies in which individuals would enter the tantric family (kula) and receive the secret mantras of the tantric deities. These initiations included the consumption of the sexual substances (semen and female sexual secretions) produced through ritual sex between the guru and his consort. These substances were seen as spiritually powerful and were also used as offerings for tantric deities.[128] For both Śaivas and Buddhists, tantric practices often took place at important sacred sites (pithas) associated with fierce goddesses.[129] Samuel writes that "we do not have a clear picture of how this network of pilgrimage sites arose." Whatever the case, it seems that it was in these ritual spaces visited by both Buddhists and Śaivas that the practice of Kaula and Anuttarayoga Tantra developed during the eighth and ninth centuries.[130] Besides the practices outlined above, these sites also saw the practice of animal sacrifice as blood offerings to Śākta goddesses like Kamakhya. This practice is mentioned in Śākta texts like the Kālikāpurāṇa and the Yoginītantra. In some of these sites, such as Kamakhya Pitha, animal sacrifice is still widely practiced by Śāktas.[131] [132]


In Buddhism, this taming of tantra is associated with the adoption of tantra by Buddhist monastics who sought to incorporate it within the Buddhist Mahayana scholastic framework. Buddhist tantras were written down and scholars like Abhayakaragupta wrote commentaries on them. Another important figure, the Bengali teacher Atisha, wrote a treatise which placed tantra as the culmination of a graduated Mahayana path to awakening, the Bodhipathapradīpa. In his view, one needed to first begin practicing non-tantric Mahayana, and then later one might be ready for tantra. This system became the model for tantric practice among some Tibetan Buddhist schools, like the Gelug. In Tibet, the transgressive and sexual practices of tantra became much less central and tantric practice was seen as suitable only for a small elite group.[158] New tantras continued to be composed during this later period as well, such as the Kalachakra (c. 11th century), which seems to be concerned with converting Buddhists and non-Buddhists alike, and uniting them together against Islam. The Kalachakra teaches sexual yoga, but also warns not to introduce the practice of ingesting impure substances to beginners, since this is only for advanced yogis. This tantra also seems to want to minimize the impact of the transgressive practices, since it advises tantrikas to outwardly follow the customs of their country.[159]


Within Hinduism, the word tantra often refers to a text, which may or may not be "tantric." Conversely, various tantric texts are actually not always called tantras (instead they may be called āgama, jñāna, saṃhitā, siddhānta, vidyā).[88][174] There are also tantric Upanishads, which are late Upanishads as well as tantric Puranas (and Puranas influenced by tantric ideas).[175] Besides these types of texts, there are also various types of tantric "sastras" (treatises) which may be "commentaries, digests, compilations, monographs, collections of hymns or of names of deities, and mantras and works on mantras." Though much of this vast body of tantric literature is in Sanskrit, others have also been written in Indian vernacular languages. As noted by Padoux, the largest portion of these tantric works are Shaiva texts.[176]


The main Vaiṣṇava tradition that is associated with tantra is the Pañcharatra. This tradition produced a number of tantric texts, most of which are lost. However, this sect does not identify itself as "tantric".[88] The worship and ritual of most of the Vaiṣṇava temples in South India follow this tradition, which is ritually similar to the Shaiva Siddhanta. According to Padoux, "from the doctrinal point of view, they are nearer to brahmanical orthodoxy (proudly asserted by some of their affiliates) and their mantras are indeed often Vedic."[190]


Mantras are also often visualized as being located within the yogi's body as part of tantric meditations. For example, in the "Yogini Heart" tantra, a Śrī Vidyā text, the yogi is instructed to imagine the five syllables (HA SA KA LA HRIM) of the deity's mantra in the muladhara chakra. The next set of five syllables (HA SA KA HA LA HRIM) is visualized in the heart chakra and the third cluster (SA KA LA HRIM) in the cakra between the eyebrows. The yogi is further instructed to lengthen the enunciation of the M sound at the end of the HRIM syllable, a practice called nada (phonic vibration). This practice goes through various increasingly subtle stages until it dissolves into the silence of the Absolute.[223]


Mandalas and Yantras may be depicted in various ways, on paintings, cloth, in three dimensional form, made out of colored sand or powders, etc. Tantric yoga also often involves the mental visualization of a mandala or yantra. This is usually combined with mantra recitation and other ritual actions as part of a tantric sadhana (practice). 2ff7e9595c


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